The Sandman became a phenomenon at the end of the 1980's as it single-handedly catapulted the graphic novel into the spotlight. 25 years later, author Neil Gaiman talks up its prequel at Comic-Con. Preview The Sandman: Overture 1-2 of 7 Scroll Left Scroll Right SAN DIEGO, Calif. -- It's hard to understate the importance of Neil Gaiman's The Sandman to the comics. In creating a comic that attracted droves of non-comics readers, especially women, at a time when comics were on the pop culture radars of very few people, he also inadvertently made graphic novels into a business. The Sandman was a book that lent itself to having its story arcs collected into book format, and those graphic novels sold so well and to such a wide audience that other comics soon followed suit. Today, it's harder to find monthly comics that don't eventually get reprinted into graphic novels than the other way around. On the occasion of the book's 25th anniversary, with not only graphic novels but digital comics now established as another comics reading format, Gaiman has teamed up with renowned comics artist J.H. Williams III to tell one more Sandman story. Related stories: Digital comics successful sidekick to print, say publishers Get your 3D-printed head ripped off at Comic-Con Forget Comic-Con, superhero central is in Indiana Fashion tugs on Superman's cape at Comic-Con Comixology dominates digital at Comic-Con A New York Times best-selling author known for not only for his writing of long-form fiction, but for his early adoption of Twitter where he became one of the first people to crack one million followers, Gaiman recounted the experience of returning to characters that he hasn't written in more than a decade from a hotel room overlooking San Diego Harbor. "There was definitely a worry with the characters that they would've gone away," Gaiman said. "The last time I wrote the Sandman characters was for Endless Nights in 2002. There's been several novels, there's been the discovery of Twitter, meeting my wife, getting married," he said. "So the idea of these characters are there. The first five pages I wasn't sure if they were right, and then I got to page six. There was Death and there was Destiny, and they sounded like themselves. It was wonderful," he said, with a smile. As the cosplaying masses of Comic-Con swarmed the streets of San Diego's Gaslamp District below the hotel room where we talked, both Gaiman and Williams were nattily dressed in suits. Williams, known for his intricate and creative layouts, said that he doesn't start with the intention of drawing his comics with an atypical layout. "I don't consciously say that every page has to be a double-page spread, but I like anything that can make the reader slow down and live with it for a little bit." Digital comics are a relatively new way of reading comics and Williams' art doesn't always translate well to the screen. "I've had some complaints," he said, from people who read their comics digitally, but his original worries about how his art would translate to the digital format have been assuaged. "I was concerned that [the publishers] would want me to change what I do," he said. Following feedback from them and his print-reading fans, he decided not to change anything. "The technology needs to catch up to me," he said, laughing. The pair had never collaborated on a comic before The Sandman: Overture, which tells the story immediately preceding the first issue of The Sandman, collected in a book titled, "Preludes and Nocturnes." The title character, Morpheus, is captured by dark magic and imprisoned for 70 years. The prequel Overture, Gaiman said, will tell the story of how Morpheus, the personification of dreams, became weakened enough to get captured in the first place. Writing his protagonist, Gaiman said, is tricky. "There's the one who escapes in Sandman 1, and then there was the one before Sandman 1. He's much prissier, much more hidebound," he said. "In many ways, the entirety of Sandman is a meditation on how his years of imprisonment actually changed him. So," the author concluded, "Morpheus himself is kind of weird." At the time that the original comic concluded, The Sandman was outselling major superhero titles like Batman and Superman. While it's possible that on some alternate Earth, Gaiman's prequel will be a flop, there's nothing weird about people expecting this to be the best-selling comic of the year.
The Sandman became a phenomenon at the end of the 1980's as it single-handedly catapulted the graphic novel into the spotlight. 25 years later, author Neil Gaiman talks up its prequel at Comic-Con.
SAN DIEGO, Calif. -- It's hard to understate the importance of Neil Gaiman's The Sandman to the comics.
In creating a comic that attracted droves of non-comics readers, especially women, at a time when comics were on the pop culture radars of very few people, he also inadvertently made graphic novels into a business. The Sandman was a book that lent itself to having its story arcs collected into book format, and those graphic novels sold so well and to such a wide audience that other comics soon followed suit.
Today, it's harder to find monthly comics that don't eventually get reprinted into graphic novels than the other way around. On the occasion of the book's 25th anniversary, with not only graphic novels but digital comics now established as another comics reading format, Gaiman has teamed up with renowned comics artist J.H. Williams III to tell one more Sandman story.
Related stories:
- Digital comics successful sidekick to print, say publishers
- Get your 3D-printed head ripped off at Comic-Con
- Forget Comic-Con, superhero central is in Indiana
- Fashion tugs on Superman's cape at Comic-Con
- Comixology dominates digital at Comic-Con
A New York Times best-selling author known for not only for his writing of long-form fiction, but for his early adoption of Twitter where he became one of the first people to crack one million followers, Gaiman recounted the experience of returning to characters that he hasn't written in more than a decade from a hotel room overlooking San Diego Harbor.
"There was definitely a worry with the characters that they would've gone away," Gaiman said. "The last time I wrote the Sandman characters was for Endless Nights in 2002. There's been several novels, there's been the discovery of Twitter, meeting my wife, getting married," he said.
"So the idea of these characters are there. The first five pages I wasn't sure if they were right, and then I got to page six. There was Death and there was Destiny, and they sounded like themselves. It was wonderful," he said, with a smile.
As the cosplaying masses of Comic-Con swarmed the streets of San Diego's Gaslamp District below the hotel room where we talked, both Gaiman and Williams were nattily dressed in suits.
Williams, known for his intricate and creative layouts, said that he doesn't start with the intention of drawing his comics with an atypical layout. "I don't consciously say that every page has to be a double-page spread, but I like anything that can make the reader slow down and live with it for a little bit."
Digital comics are a relatively new way of reading comics and Williams' art doesn't always translate well to the screen.
"I've had some complaints," he said, from people who read their comics digitally, but his original worries about how his art would translate to the digital format have been assuaged.
"I was concerned that [the publishers] would want me to change what I do," he said. Following feedback from them and his print-reading fans, he decided not to change anything.
"The technology needs to catch up to me," he said, laughing.
The pair had never collaborated on a comic before The Sandman: Overture, which tells the story immediately preceding the first issue of The Sandman, collected in a book titled, "Preludes and Nocturnes." The title character, Morpheus, is captured by dark magic and imprisoned for 70 years. The prequel Overture, Gaiman said, will tell the story of how Morpheus, the personification of dreams, became weakened enough to get captured in the first place.
Writing his protagonist, Gaiman said, is tricky. "There's the one who escapes in Sandman 1, and then there was the one before Sandman 1. He's much prissier, much more hidebound," he said.
"In many ways, the entirety of Sandman is a meditation on how his years of imprisonment actually changed him. So," the author concluded, "Morpheus himself is kind of weird."
At the time that the original comic concluded, The Sandman was outselling major superhero titles like Batman and Superman. While it's possible that on some alternate Earth, Gaiman's prequel will be a flop, there's nothing weird about people expecting this to be the best-selling comic of the year.
